I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
Media Category: 14 x 17 painting on paper
I am intrigued by the notion that while black is supposed to be the absence of color, its reflective and absorptive surface actually presents a variety of hues. I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds and golds or gold leaf in the process. The layers in my work are structures and forms of emotions. They are part of our individual consciousness, waiting to be touched and expressed.
47-AcrylicPaper 14×17
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
46-AcrylicPaper 14×17
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
45-AcrylicPaper 14×17
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
44-AcrylicPaper 14×17
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.