I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
I use different densities of black color derived from hand ground Chinese Ink, carbon, mars and ivory acrylic black and thickened onyx house paint. The resulting matte surfaces and reflections of light mix with the intimacy of the paper to create an endless depth. I mix this with a variety of textures and geometric forms to establish an organic motion. Occasionally I use acrylic reds, blues and golds or gold leaf in the process. The mark making is created using a Brush, Squeegee and Scraper.
