Monoprint / Collage

The Difference Between Monoprints and Monotypes

Defining Monoprints

The easiest way to differentiate between a monoprint and a monotype is by examining the underlying block or matrix used in the creation process. A monoprint utilizes a matrix to create a permanent version of the image, producing consistent marks across multiple prints. These permanent features lead to a common thread in successive works, while still allowing for countless variations based on the application of different mediums such as paint, ink, or chalk. Furthermore, additional elements like collage can be introduced, offering even more diversity in the final output.

Exploring Monotypes

In contrast, a monotype is crafted on a smooth surface where the artist creates an original work. Unlike monoprints, monotypes do not retain any permanent features to transfer onto further prints. Each time an image is created, it is ephemeral. Once the image is lifted from the surface, only an occasional ghost print may remain, thus leaving the surface cleared for new creations. This characteristic offers a unique opportunity for artists, enabling them to explore various mediums and desired effects with the knowledge that each piece is a singular creation.

Choosing Between Monoprint and Monotype

Ultimately, the decision to use monoprinting or monotyping rests on the artist’s intention. If the aim is to develop a unique image with repeated visual elements, monoprinting may be the best choice. Conversely, for artists seeking to embrace spontaneity and create one-of-a-kind pieces, monotyping offers a liberating experience. Both techniques deliver compelling results, each with their distinctive characteristics that can enhance an artist’s portfolio.

Monotypes – Combining Collage with the Painterly Print

My process is one of layering. I have created two printing beds. One that I use to maintain a register for 12 x 9 paper that gives me a consistent 8 x 6 printed surface. The other is a 17 x 14 bed that maintains a register for a 12 x 9 printed surface. I can emboss a crease along either paper that outlines the blank printing area. That way I can collage elements before printing and stay within the mark-making area. It also allows for post-printing additions of collage elements that can be printed in successive layers.

Some of my monotypes have been crafted using collage elements before, during, or after printing. I print by hand using a plate glass surface for my mark-making. My mediums include acrylic inks and paints, water-based printing inks, oil paint, Chinese ink, and paint sticks.