This is incredible work

glass sculpture Focus Glass by Peter Newsome, ...
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Peter Newsome’s Clear-Form Glass Assemblage

The contemporary techniques of glass artist; Peter Newsome have been some of the curiosities many artists become fascinated with. Newsome has been a passionate sculptor of glass since the early 1990’s and has mastered both traditional glazier and glassworker techniques as well as some adaptive contemporary techniques. His skills allow him to hand-slice layers upon layers sheet glass in precise forms for his assembled compositions. Many of his works resemble organic strands or waves depending on the contortion of his subject. Newsome’s background in the glass engineering industry has led him to acquire several original methodologies for practicing original glasswork. He has exhibited several of his sculptures at many international art hubs such as the London Art Fair at Burton’s Court, Chelsea and at Newby Hall Sculpture Park, Yorkshire.

Sculpture by Photography by Gerardus

Newsome employs a sort of ray-like intensity by focusing on the overlapping transparencies of the media. The edges where the glass cuts off into air become patterns when pit against each other in natural light. The artist’s ability to materialize designs in three dimensional space is coupled with his capability to imagine the unique transparencies of their compositions as well. Since his popularization in the glass art industry, Newsome has been a well recognized modern sculptor, especially within the communal Chelsea areas.
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More on redoing your Statement and Bio

Apparently there are a number of really good writers out there working to help artists create better art statements and bios. Luann Udell a regular contributor to fineartviews.com started a series on telling your story. It looks to be a great series. Luann Udell’s Blog: http://luannudell.wordpress.com And while you’re at it subscribe to Fine Arts View they have really good articles on art

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Redoing your Statement or Biography

After reading this post I decided to rewrite my Bio. I think like all good spring cleaning, this should definitely be on the list.

The Artist’s Statement vs Biography

by Keith Bond

This article is by Keith Bond, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.

Recently, I have felt the need to rewrite my artist statement and biography.  With this on my mind, I felt that I would share some of my thoughts.  Most of these thoughts are not mine, but ideas that I have gathered over the past couple years from a number of different sources.  I cannot take the credit.

Don’t confuse an artist’s statement with a biography.  Many artists often combine the two into one document that lacks the intended focus.  I’ve probably been guilty of this.  They should be two separate documents with different purposes.

Artist’s Statement

1.    Should be brief – only a couple paragraphs.

2.    Should be written in first person.

3.    Should be about your current art – not past periods.

4.    Should evolve and grow along with your art.

5.    Should compel the viewer to want to look at your work.

6.    Don’t include bio info here.

7.    Don’t include teachers or other’s whose work has influenced yours.  This is a statement about YOUR art, not theirs.

8.    I want to repeat #5.  This is the most important thing to remember – your artist’s statement should compel the viewer to want to look again at your work.

Biography: Many shows and exhibits will request a bio from you.  This is an important document to have.

1.    Most bios are extremely boring.  Mine included.  Most artists’ bios read almost identical to each other.  Again, mine included.  That is why I am working on rewriting mine.  I want mine to stand out and be different.  I want it to be read and not tossed aside after the first few words of the first sentence.

2.    In a nutshell, your bio is basically your resume written out in paragraphs.  It includes the highlights from your resume, not necessarily everything.  But remember, spice it up a bit (see #1).

3.    Should be written in third person.

4.    Include a description of your current work.

5.    Here it is okay to include your past – including art instruction, influences, and what events or upbringing have shaped your artistic direction, etc.

6.    Include important exhibits or venues.

7.    Include important collections or commissions, accolades, awards, etc.

8.    Include where you were born and where you currently live.

9.    This document should also evolve and change along with your career.  More important items will be added as your career grows and less important or less relevant things will be removed.  (Where you were born should remain the same, though 😉 ).

10.  It will likely be longer than your statement, but don’t make it too lengthy.  Most people won’t read it if it’s too long (unless you have a very compelling or entertaining story).

What have I missed?  What do you think makes a good statement or resume?

Best Wishes,

Keith Bond
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Deconstructed Landscape Painting

I have recently begun a series of paintings exploring what I call Landscape Deconstruction. I am reducing the colors, elements and tools used to create the work to essentials. I am using acrylic stains and watercolors with a limited pallet. The shapes that are formed or discovered either by accident or design are intriguing in that they create depth and narrative more expressionist than abstract. This is just deceloping so if you have a comment or suggestion please feel free to add it.

These works are on display in Albany Ga.

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The Art Train

Today I leave for the west coast BY TRAIN. will be doing lots of art and visiting family, galleries and who knows what! I’ll post comments and art along the way. Wish you were here with me enjoying this wonderful trip.

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