Endangered Species and the ARTCORE Newsletter

The June/July issue of ARTCORE is now available FREE AS ALWAYS at ARTCORE
This issues Featured Interview is with Rick Cannizzaro
“I have been creating art ever since I can remember, back to when I was a little child. That joy, the memory of a child creating a picture still inspires me today.”
Read the entire interview here

Articles included
Speaking the “Lingo” of Oil Painting Artists
Being able to speak the language of the arts can be helpful if you are ever want to commission a painting and need to converse with the artist. The artist will also find the following definitions beneficial in expanding their fine art vocabulary.
READ MORE

The Pastel Painting Process
Pastels are one of the purest and richest forms of art mediums. They have more pigment and less binder than any other medium. As any pastelist will tell you, it is almost like painting with pure, unadulterated color.
READ MORE

Paul Gauguin – An Art Movement Founder
Post-Impressionist artist Eugene Henri Paul Gauguin was known for his color experimentations.
Read More

And as always look for free Art Books, downloads, art contests, answers to your questions,
and a whole lot more.

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ART SOUP

A recipe for excuses that you can serve anytime of year

Ingredients

  • one large project
  • a number of small projects
  • a squeeze of time
  • reduced desire to succeed
  • a dash of taking the easy way out
  • a disorganized studio
  • a large jar of lack of focus
  • a minimum sense of commitment

Directions

In your mind, combine your lack of focus and your disorganization and place them in the center of your studio. Using another part of your brain mix a reduced desire to succeed with a squeeze of time and spread this across your large and small projects until completely coated.
Pour the mixture over your lack of commitment  adding a dash of taking the easy way out on top of the whole mess for decoration.

Procrastinate until you are ready to STOP MAKING EXCUSES AND REALLY DO SOMETHING WITH YOUR ART

LEARN more about how to make your ART successful in the  ARTCORE NEWSLETTER

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Discovery of Lee Bontecou

I can across a Dec. 9, 2010 blogpost by Nancy Natale, The Discovery of Lee Bontecou. This Art in the Studio post included a great short video on the artist’s work, a  5-minute YouTube video by Veronica Roberts, curator of “All Freedom In Every Sense,” the small MoMA show of Bontecou’s work this past summer. This video completely captured me so I had to repost it here. I hope you enjoy it as much as I did

 

Where Art Begins, A Visual Language

I believe that everyone wants to express some inner mood or feeling through a visual language that others can understand. Rembrandt, aside from all his other incredible work, expressed his inner exploration through self portraits. Dozens of these works span his lifetime, giving expression to a visual language that speaks about each separate period in his life. Other artists froze moments in humanity creating not just a picture of a time but a feeling. Still others stripped the image bare and gave us pure emotion, movement, texture or color and let us decide what we are seeing. Sculptors have presented us with ideals of the human form. Others have created assemblages that move us to examine our own beliefs. Others create environments where we can let our own ideas run amuck. So I guess where I’m going with this very scaled down anthology of the history of art is that ART BEGINS EVERYWHERE.

And visual thinking is at the core of it all. I know some people will jump up and ask about all those other senses. But think about it. In fact let’s take the time to explore a simple idea that will become one of the most complicated examples I can present.

In your mind picture a house.  Did you picture a suburban ranch with three bedrooms, an apartment in a crowded city, a hut in an open landscape or the mansion of your dreams. Was the feeling happy, sad, disgust, envy or maybe even a sense of longing?  Take the time and listen to the sounds around your imagined house. Be aware of what’s going on around the house. Can you smell cooking or a new mowed lawn or the accumulation of garbage along the side of the house? When we perceive an object, in this case a house, we are conscious of it through all our senses but we know it through a variety of cues and associations related to our visual language. The more developed the language the deeper the meaning of the object. If we picture garbage we can smell it, if we see an empty room we sense its lack of life.

It is in our ability to go beyond our growth in this visual awareness past the limits of our sensory impressions and definitions that will allow us to know where art begins.

I will continue this exploration in future installments

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2011 ARTCORE NEWSLETTER

ARTCORE Summer Issue online now
In this issue…
Artists and Art History.
Juan Gris – The Intellectual Cubist Painter & Sculptor From Spain
By Annette Labedzki
Art Appreciation 101
By Marianne Navarro
Artists Ask Questions About Art Marketing
By Aletta De Wal
Free Art Books, downloads, art contests, answers to your questions,
and a whole lot more.
Read ARTCORE for FREE at http://donaldkolberg.com/art_core.htm

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